808 bass garageband
Set the ratio quite low at first to figure out precisely how much you need. Anything closer to 8:1 or 10:1 is a lot of compressions.From what I understand, anything past 8:1 is considered as limiting.Another added feature of using the compressor feature is that you can maximize the loud and quiet parts of the bass-sound, thus, ensuring that the note doesn’t simply fade out in an undesirable way.This isn’t a problem when using the Deep Sub Bass synthesizer, however.When using the Channel EQ to get the perfect 808 sound, there is a number of different things one can do.Perhaps, the most common piece of advice you’ll hear is to decrease the frequency where the kick lies by about +2-3dB, and then you go into the Channel EQ of the boutique 808 and increase that very same EQ, rather than decrease it. In this tutorial today, I’m going to show you how I make bass-lines using Garageband.I’ll walk you through the process of making bass-lines in the first part of this guide, and then we’ll run through some music theory in the ending of the tutorial, that way, if you so choose, you can understand the theory behind why something works.However, for the sake of not wasting time, we’ll just dive right into how I made a bass track for a recent song.A lot of people like to just wing it and see what sounds good, which is a great way of going about it as well, but sometimes you may need a little extra help to make something that sounds good.The best way to build a bass-line, a melody, or a harmony of some kind is to understand what key you’re in first.To this, you can just look at the very first note of your melody, either by looking at the actual standard notation option in Garageband or by clicking on the note in the Piano Grid.Hover your cursor over the note and the DAW will tell you what note it is. Slide the bar all the way over to 100.Once you’ve created the bass-line, you can move on to the mixing of it, which is equally as important as the actual notes.As I just mentioned, the mixing process is just as important, and without a doubt, distortion is the most amazing plug-in for making the boutique 808 sound more intense, aggressive, bassy, and overall, just a hell of a lot better.Be careful when you first turn on the distortion, however, because it’s going to increase the volume of it like crazy.Go into the plug-ins in Garageband, find distortion, which typically falls under the ‘Distortion’ section, turn it on. It just makes it sound weird in my opinion.As I’ve pointed out in many of my other tutorials, a great way to understand how to build simple little harmonies is understanding Every key signature has a corresponding scale related to it, for instance, the A Major Scale, which is made up of the notes A, B, C#, D, E, F#, and G#.In the case of A Major, it is the aforementioned notes:The chords in the major scale are in the following order:These notes and chords are typically identified using Roman numerals, a capital roman numeral for Major and a lower-case numeral for the minor.The little ‘º’ symbol signifies a diminished triad.A Major, B Minor, C# Minor, D Major, E Major, F# Minor, G# DiminishedIf you know what key signature your song is in, it’s easy to construct a melody, whether it’s a bass-line or a piano line, because you have 7 notes at your disposal and all of the octaves of the same note, as well as the chords.In my song, “Airway,” I actually constructed a bass-line using the notes of a chord, but rather than following the melody, I just created an entirely different melody altogether.The way I just constructed chords from the notes of the chord, can be applied to every other key signature, so now you have a tool-box for creating bass-lines and other melodies.Once you have this figured out, you can create chords and melodies just by simply experimenting with whatever note sounds good underneath the rest of your song.I hope this was helpful to you.
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